It creates a sense of time, space, and mood and provides an overall feeling of space. We all love the sound of great reverb pedals! Even guitarists such as Jeff Buckley and David Gilmour are known for their use of reverb. The solution is to design acoustic packages that balance these needs and provide a cost effective solution that improves all these areas.This is why every guitarist needs a reverb pedal The needs of speech, instrumental music, and congregational singing require compromises in the design of the acoustic package, keeping costs under control. Sometimes overlapping goals of acoustics compete. Other treatment options include clouds (larger treatments on the ceiling), sprayed on materials, different wall construction techniques and curtains or other soft goods.

The mid to mid high frequencies are balanced with the smaller panels. Some of the room treatment will need to be fairly large, and these would be best placed on the large side walls or back walls above doors and windows. When it comes to controlling sound, the acoustic device will be larger in size to accurately control larger frequencies (low tones) while higher frequencies (high tones) need smaller acoustic devices. The ideal is a flat reverb where room acoustics are consistent across all frequencies (or pitch). The acoustics also need to help limit delayed sounds from bouncing back onto the stage and being picked up by the microphones, thus contributing to muddy sound and feedback problems. The room acoustics need to work with the speaker system to keep the audio aimed on the congregation and absorb or properly disperse spill on the wall areas. This sound is then jumping all over the room, creating a lot of noise that few find comfortable or appealing and musicians find frustrating.Ĭontrolling reverb for the audio system and its engineers This makes it harder for the musicians and vocalists to hear themselves (distinguish themselves in the mix) so the stage is forced to drive louder volume levels. Slap-back, long delayed reflections back onto stage, tend to muddy the sound. During speech- announcements, testimonies and sermons- it is critical to avoid ear fatigue.Ĭontrolling reverb for the musicians and vocalists If the congregation can’t hear themselves singing, they tend to sing less the atmosphere becomes more of a concert than worship. A singing congregation tends to sing more if they can hear themselves singing, thereby participating in worship.

Good control is making sure the spoken word is easy to hear while making sure the room is significantly lively for congregational worship. Acoustic control creates a good atmosphere for both musical worship and speech.

Arts acoustics reverb